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“Fusion” is one of the terms for my work.
Using egg tempera which is an old European technique, drawing in
illustration form which is a new technique and adding the Japanese
old painting style such as faded pigment (Kasure), blurred pigment
(Nijimi) and penetrating pigment(Tarashikomi).
I paint on gold leaves on elongated surfaces as in the style of
the Japanese Sengoku and the early Edo era, and on textured base
layers, to make this happen.

The subject of all my works in the past few years has been
“conversations between me and nature”.

It seems like nature has her own language.
When there is a breeze, she is talking and dancing.

She always looks toward the sun,
even when it’s raining, snowing or exposed to the scorching sun.
She accepts reality and thinks about what to do next.